Representasi Pariwisata dalam Narasi Visual: Studi Kasus Brand Guidelines Watashi Travel
DOI:
https://doi.org/10.17509/ijac.v1i1.13Keywords:
Brand Guidelines; Desain Komunikasi Visual; Identitas Merek; Pariwisata; Semiotika VisualAbstract
This study aims to construct the meaning of the adventure narrative contained within the brand guidelines document of a national Indonesian travel company. The current visual communication phenomenon requires tourism brand identities to deeply represent the essence of travel prior to implementation across various promotional media. The research employs a qualitative approach with a case study design. Primary data were obtained through visual documentation of the subject’s brand guidelines, while secondary data were gathered via literature review. Analysis was conducted using a visual communication design review technique encompassing four systematic stages: visual description, formal analysis, semiotic interpretation and evaluation. Findings indicate that the adventure narrative is integratively constructed by deconstructing the initial “W” into silhouettes of birds, mountains and water waves, representing freedom and diversity of natural destinations. The use of a blue-green analogous color scheme psychologically reinforces images of coolness and trust, supported by a typography system projecting a professional yet inclusive character. Practical implications emphasize the importance of creating a cohesive ideological blueprint for creative media practitioners. Research limitations lie in the focus on internal visual text analysis, suggesting that future studies should explore empirical audience reception research. The originality of this research resides in the dissection of design anatomy from a pure semiotic perspective at the fundamental brand guidelines stage, providing a unique contribution to applied tourism communication literature.
Downloads
References
Creswell, J. W., & Creswell, J. D. (2018). Research design: Qualitative, quantitative, and mixed methods approaches (5th ed.). SAGE Publications.
Febrian, S. V., Abimanyu, M. R., Nulhakim, Y., & Latuny, M. I. (2025). Perancangan logo Abu Haidar dalam upaya peningkatan citra dan daya tarik konsumen. Cipta, 3(2), 117–130. https://doi.org/10.30998/cipta.v3i2.3579
Gultom, T. M. Y., & Manuela, N. (2025). Analisis Semiotika Logo Red Bull. JIIC: Jurnal Intelek Insan Cendikia, 2(3), 5435-5440. Retrieved from https://jicnusantara.com/index.php/jiic
Hidayat, F. (2025). Perancangan Identitas Visual Mida Collections. Menulis: Jurnal Penelitian Nusantara, 1(8), 316-326. https://doi.org/10.59435/menulis.v1i8.588
Jayanegara, I. N. (2017). Semiotika Visual Logo RSU Surya Husadha Denpasar. Jurnal Bahasa Rupa, 1(1), 11-16. https://doi.org/10.31598/bahasarupa.v1i1.138
Lestari, M. K. (2025). Kajian Tipografi sebagai Identitas Ruang Publik Mall Tunjungan Plaza Surabaya. Jurnal Barik: Jurnal Desain Komunikasi Visual, 7(3), 12-28. https://doi.org/10.26740/jdkv.v7i3.70056
Mubarok, F., & Muyasaroh, S. (2025). Analisis Semiotika Tagline “Beli Semua Di Shopee” Dalam Membentuk Branding Shopee. Jurnal Al-Qolamuna: Jurnal Komunikasi dan Penyiaran Islam, 2(3), 371-385. https://doi.org/10.71242/87krm670
Puspitasari, F., & Diningrat, N. R. (2025). Kajian Tipografi, Ruang, dan Warna dalam Membentuk Estetika pada Logo Fedex. Creativa Scientia, 2(1), 31–40. https://doi.org/10.70429/creativascientia.v2i1.166
Ramadeni, S., & Soewardikoen, D. W. (2017). Identitas Visual Dan Media Promosi Wisata Edukasi Jendela Alam. Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia), 2(1), 113-128
Saksana, I. P. A., & Megantara, I. N. S. (2021). Peran Desain Komunikasi Visual dalam Pemulihan Pariwisata Bali di Instagram pada Masa Pandemi (The Role of Visual Communication Design in Bali ’ s Tourism Recovery on Instagram during The Pandemic). Sandi: Seminar Nasional Desain, 1, 263–269. Retrieved from https://eproceeding.isibali.ac.id/index.php/sandi-dkv/article/view/144
Sampoerno, M. N., Saadah, M., & Hardi, S.P. (2022). Semiotics Analysis Toward Indonesian Halal Logo. IJMA: Internatinal Journal Mathlaúl Anwar of Halal Issues, 2(2), 11-17. Retrieved from https://journal.halalunmabanten.id/index.php/ijma/article/view/49
Siregar, P. A. M., Pulungan, K. I., & Tarigan, J. R. (2025). Analisis logo "Tepung Tulip" dalam perspektif semiotika. JIIC: Jurnal Intelek Insan Cendikia, 2(3), 5823-5828. Retrieved from https://jicnusantara.com/index.php/jiic
Sugiyono. (2019). Metode penelitian kuantitatif, kualitatif, dan R&D. Alfabeta.
Wahyudi, G. R., Widnyana, I. G. M., & Witari, N. N. S. (2020). Perancangan Media Promosi Desain Komunikasi Visual Sekolah Pariwisata Bali Internasional di Singaraja. Jurnal Pendidikan Seni Rupa Undiksha, 10(3), 120–124. https://doi.org/10.23887/jjpsp.v10i3.35807
Wahyudin, C. D., Tohir, D. M., ST, S., & Ds, M. (2016). Perancangan Identitas Visual dan Promosi Pariwisata Cipatujah Kabupaten Tasikmalaya (Design of Visual Identity and Promotion Tourism of Cipatujah Tasikmalaya District). eProceeding of Art & Design, 3(3), 927–934
Yin, R. K. (2018). Case study research and applications: Design and methods (6th ed.). SAGE Publications.



